shesaid

What’d SHE Say?

If you are just hearing about SHE Said Parties for the first time right now, then you unfortunately already missed the August event that featured the Mad Rollin’ Dolls (local derby league) and lube wrestling. BUT you can still look forward to future monthly events. She Said Parties began popping up just a few months ago, and have already gained quite a following!

Tina She of God-Des & She, a boundary breaking queer hip-hop duo, decided to throw a party for queer women while living in Madison. Thus was the beginning of the “The She Said Party (SSP) is a monthly party to celebrate Queer/women and the humans who love them,” said Sarah Hagedon, Event Planner for the She Said Parties.

Sarah heard about Tina She’s venture, and decided to lend her promoting and event planning skills. Tina She hosts the parties, while Sarah takes care of all the pre, post and “day-of stuff.”

“As I am a queer woman living in Madison, I am interested in creating a community,” explained Sarah, “It seemed like several acquaintances and friends who are queer and women aligned felt as if they couldn’t meet any other people who are similar to them, especially post-college. It started very organically; initially I was hosting private brunches at my home in January. The friends who attended would frequently say that I should throw parties and night events, so when the opportunity came up with Tina, I went for it.”

Everyone is welcome to a She Said Party. However, I think it goes without saying that since SSP is intended for Queer people – homophobia, transphobia, racism, sexism and etc. is not tolerated and unwelcome. SSP hopes to help create communities, specifically in cities that may lack a unified queer community.

“I think the gay rights fight has done so well because we are fun,” Sarah said, “Let’s keep that going. If there is a lack in your community, then stand up and make some fun! Or get in contact with me, and I would love to help.”

SSP are currently hosted at Plan B in Madison with plans to expand in the near future. “We have a few pop-up plans in the works as well as a sort of “tour” that we are scheduling in which we will bring our SHE team,” said Sarah, “So, if there are any club promoters out there, get at me: sahaparty@gmail.com.”

Get in touch with SHE: FB & Instagram
-Sara Franc

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Honey, Buzz Me In…

Walking underneath a canopy of *bees, I instinctively clutched my tote (as if it contained a reassuring EpiPen) and entered The 410 Project. All for the love of art (receptions)! Once inside, I was greeted by the Queen Bee herself, artist Dana Sikkila who was perched atop a butter block mummed with the continuous, thematic bees.

*to find out there were 4,400 printed bees total
….talk about damage!

Honey Home: Not Quite 20 – Not Quite 30, focuses on the issues surrounding the obsessive relationship between a woman and her best friends. This conversation, portrayed through performance and installation work, is ignited within a domestic space where a woman, cat and dog reside.

Artist Statement:

“Companionship and personal honesty motivate my work, depicting the absence of self control within the female mind. Animals and objects begin to take on human characteristics and interact in unconventional domestic situations. Through printmaking and installation the viewer is confronted with obsessive natures, turning abnormal tendencies into a humorous, almost adorable mental mess; which represents the psyche, conjuring problems onto paper and products.”

Missed the reception? No excuse,
The exhibit runs August 1st – 17th. Check it.

-Ashley Lanèe Voss
Photo Credit: Dana Sikkila

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Conflicting Narratives w/ Vincenzio

A few weekends ago, I had the pleasure of meeting Vincenzio Donatelle, an insightfully charming and down-to-earth soul. Familiar with his madman status as a singer/bassist/fiddler of folk-minded band The Last Revel, I was positively taken off-guard when he contacted me in regards to his upcoming solo exhibit, “A Tale of Conflicting Narratives,” at The Carnegie Art Center in Mankato (July 10th-26th).

Is there anything Vincenzio can’t (creatively) accomplish?

We fell into conversation during the reception. I couldn’t help but notice he was sporting his signature snazzy vest…amidst his colorful creations of course. Topics regarding the juxtaposition of text on painted works + the power of placement continuously fueled our dialogue…

I mean, a work with the text “literally anything is more important to think about than what your pubes look like right now” in a gallery setting naturally demands some attention.

“The repetitive images and textures in my etchings and screens create semi-narrative work in the form of painting, collages and prints,” explained Vincenzio, “I often employ sculptural elements to activate the space within the gallery, thus forming a middle ground between content within the picture frame and the viewer.”

“I look at the intersections of individuals and their pathways producing serendipity, the rational versus the nonsensical, as well as the way the natural collides,”  “I am particularly interested in the way stimulatory noise produced by this contemporary environment cohesively flows and recedes to expose concrete experiences along side ambiguity.”

Examining the intersection of realities, one must admit -
he’s onto something!

Artist Statement:

“As individuals swivel through their daily lives they encounter various layers or aspects of society and nature that interact to create personal experiences. In this fusion of realities, events from mundane to cataclysmic, emerge crisply from chaos and gain explicit focus only to recede enigmatically back. I frequently reflect on how the development of ones own prospective drastically shapes their experience and interpretation of information. In this I am led further to examine the kind of narratives which are presented to the individual in various levels of detail throughout the course of standard “day-to-day” activity, such as a friend on the bus recounting last weeks events or the long developing stories presented by media sources or trending on social media entities. All of this is an attempt decipher the way the individual interprets and experiences, in hopes of better understanding the reality of the world that I live in.”

If you missed the show, damn…
checkout some of his work here & listen to him here.

-Ashley Lanèe Voss

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Featuring: Audio Alliance

An alliance is growing throughout our nation. An entente of sorts that brings people together for the love of music. Enter: Audio Alliance, a project that started in a garage in Wisconsin. Audio Alliance promotes and books musicians, dancers, painters, fractal artists and everything in-between.

“We do many things,” said Colton, whose position with Audio Alliance is loosely defined as “promotions coordinator. “We try not to limit ourselves to anything. The sky’s the limit? No, the limit does not exist (Mean Girls reference). Our main goal is to bring people together of all realms to have a good time.”

*Tmo and Cliffy (Clayton) are the founder and co-founders.

“The whole reason we got into this business was for the sheer fun of it,” stated Tmo. “Cliffy and I were sitting in his garage and came to the conclusion that we could actually do this. So I promised him and a few other artists that I would get them booked to play a festival in one year. It only took me five months and artists, D:E:S and Cliffy, were booked to play Gathering of the Bassheads in Waubun, Minn.”

Now, Audio Alliance has been booking and setting up events both large and small. “I hope to see this project evolve into an entire entertainment faction,” said Tmo. “Not only to host events, but artist management, a label for our artists, festival management and a general name around the country.”

While these goals may have seemed like a long-shot at one time, Audio Alliance now has promoters around the United States, and ties with artists overseas.

“That is what is so cool about us; we don’t have a definite location. We exist everywhere,” stated Colton.

Dialogue w/ Colton Oltesvig of Audio Alliance

I met Colton years ago at Jellystone Park in their new skatepark. Yes, I used to try to skateboard. I learned everything I know from a Canadian skate team, and I was still awful. Regardless, I haven’t seen Colton since like ‘04, but we still kept in touch through social media. We now are both in the same kind of industry and it is kind of cool seeing our worlds come full circle, both promoting the local arts. Colton now does photography, graphic design, social media marketing and assisting in the coordination of events for Audio Alliance.

S.F: Describe what it is like being in this line of work?

C.O: This line of work is so much more rewarding knowing that you are working for your own success as well as your friends’ success, rather than working for a corporation busting your ass just so you can help pay for another vacation for the guy in snake skin boots and a corvette. Also, we get to work directly with the artists, which is awesome. It gives you that behind the scenes aspect which is super cool. We get to be friends with the artists and know them on a personal level; and I get to go on stage to take pictures which is a bonus.

But not going to lie, it can be difficult at times. You are literally starting from scratch. We created something out of nothing. The financial aspect is not always as rewarding as you’d like it to be, but at the end of the day, this is what I want to be doing. I may not be making millions, but I’m having a hell of a lot more fun than people who are. I love music, I love photography, and I love making others happy. If I can do something that combines all three of those, I will be going to sleep with a smile on my face regardless of how much money I earn.

S.F: What is one of your favorite live-show memories?

C.O: One of my favorite live-show memories was seeing everyone at Heartbeats having such a fun time. Heartbeats was a Valentines show we hosted in Steven’s Point, Wis. We had people travel all the way from Milwaukee, Madison, Minneapolis, and even North Dakota. It was such an amazing feeling knowing I helped make the whole thing happen. And the responses! The responses were almost overwhelming. People were stating it was the best show they’ve seen in Central Wisconsin.

Also, hosting Yheti for two shows was quite the excitement. Just meeting and talking to that guy was an awesome experience. He is by far the nicest guy I have ever met, and plays some of the weirdest music I have ever heard. So much love and respect goes to that man. We are hosting him again at Cosmic Ascension, a music festival that takes place August 21st so stoked to the 24th in Waubun, Minnesota. I am to see him play again and just super excited for the whole festival in general.

S.F: What can people expect at one of your events?

C.O: They are full of love without judgmental behavior. Everyone just comes together to have a good time, listen to good music and celebrate this wonderful thing we call life.

At our events people can expect to have an awesome time where they don’t feel bound to anything. We want to create a safe and comfortable atmosphere where people can be themselves and not worry what others think of them. That is a huge part of us too. We cater to all types of people no matter what you look like or your background. We just want everyone to love one another with open arms.

Oh yeah, also bass, you can usually expect a lot of bass at our events. We don’t want to just hear our music, we want to feel it.

-Sara Franc
Be sure to check-out their website, FB, and Instagram!

Limited Stretching w/ Matthew Yaeger

Interview w/ Matthew Yaeger regarding his work Rarely Do We Stretch. -A.M.

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A.M: Judging by the title, Rarely Do We Stretch, I assumed this piece was a unique representation of the human figure aging over time. Was this the concept you were thinking of while creating it? If so, do you reflect this idea in some of your other works?

M.Y: I had made some smaller studies and decided that I wanted to see what they would look like at a larger scale. After I made the first larger piece and hung it on the wall I was surprised at how the top section was bent over like a tilting head. I thought that was great that there was this connection to my own body through scale.

I would agree that they are figurative, but I’m more interested in how they made me aware of my own body. Because they are drywall, a material we see very much in one way, they instantly have this connection to the wall. By making several of them and spreading them out in space from each other I felt like they started to explore how they were positioned in space and what the limitations of that became.

In the back of my mind I feel like I’m often thinking of H.P. Lovecraft. In some stories there can be this walk through a typical town or landscape and when you turn the corner what was set up to be reality quickly falls away. I think this notion of our experience of the world as relative is always something I’m thinking of. How can I de-familiarize myself with images and objects in the world?

A.M: Looking at your artwork as a whole, what is the main message you are trying to relinquish to viewers?

M.Y: I don’t have a main message. I’m more interested in the work being self-reflexive for the viewer. I think by using specific references or setting up limitations, such as material and color and being aware of hierarchies within a piece, the work often is more analytical and open to interpretation.

A.M: What is your favorite medium to work in and why? Has it changed over the years?

M.Y: Although I’ve worked in many mediums and materials over time, I think I’m most excited about the notion of drawing. The line, speed, and economy of means of drawing for me is a very specific think-space. The immediacy that drawing allows, unlike painting (reloading a brush, or having to mix a new color), is the quickest way to see something.

A.M: I noticed you are not afraid of using vibrant color in your pieces. Is there color theory techniques behind your process?   

M.Y: Color is more intuitive for me but there are some references to how we have become accustomed to color through images and products that we consume. Lately I’ve been thinking of Gatorade commercials and how amped up the color is. I’m always accepting and suspect of color because of examples like this. In work in the studio right now color is one of the things that I’m trying to make apparent as well as pushing up against.

A.M: Lastly, do you have any upcoming/current exhibitions for our readers to check out?

M.Y: Recently I had work in this awesome show at SOO Local titled Weird Neighbor, which was put together by Bruce Tapola.More recently I had work in a show at Page Bond Gallery in Richmond, Va., and I have work in an upcoming show at the Peninsular Fine Arts Center in Newport News, Va., which opens July 12.

-Amanda Masini

GRRRL_PRTY_Katina_Elizabeth_Photography

Radar: GRRRL PRTY

If you saw me drive by recently…
you most likely heard me drive by too!

I was bumpin’ GRRRL PRTY in my Chevy Malibu.    #Checkit

The fierce as fuck trio, featuring thee “Spitfire Poet Sophia Eris, percussive Hellion Manchita and the Southern Rapstress Lizzo,” are taking over the Minneapolis scene, and hopefully every scene, with the gritty song, “Wegula.”

Adam Dunn, another one of the Twin Cities best kept secrets, produced the music video back in June of 2013 as part of the series Lights and a Backdrop (#LAAB). “Wegula” by GRRRL PRTY is season two out of seven, and showcases the artist’s talent with in your face girl power.

We’re feverish for more from this tantalizing hip-hop collective. Although the three are also in the process of nurturing their solo careers, I can’t help but expect GRRRL PRTY to blow up.

Check out more GRRRL PRTY and #LAAB before loosing yo’self
to July 4th festivities!
-Sara Franc

Are We Mine Us

Not Your GF’s Diary

Creative dialogue w/ Jacob Spriggs

Minnesota native, Jacob Spriggs received his B.F.A. in Studio Art with a double major in Art History at St. Cloud State University – not to mention he was a founding member of The Gallery Vault. 

Working with Polaroid instant film and the collection/appropriation of found photographs, his work blurs the lines between a diary and the fictive…with subtle badass undertones.

Artist Statement:

I am interested in photography and found images as a way to reconstruct memories, landscapes, and portraits.  The documentation of events with my Polaroid cameras and the accumulation of journals, magazines, and miscellaneous photographs have manifested into a collection of experiences both of mine and foreign.  This collection is then broken down, dissected, and reassembled through an integration of painting, photography, and collage to create disembodied nostalgias.


 A.V: There is something really captivating about this portrait/landscape juxtaposition. Most of these works are women…which stereotypically brings to light the complexities of the female mind, considering the multiple layers of the work.

What drove you towards creating such works using these mediums?
How did you arrive to this ‘art mission/thematic calling’ so to speak?

J.S: The female form is obviously a central subject within my collages and paintings. To put it in terms without all the “art” talk, I’m simply in love/viscerally attracted to the female body and it’s subtleties. It’s just beautiful. I specifically like the vanity that comes with fashion photography. It’s porn without the porn, a quiet embodiment of the body that’s safe enough to advertise but egotistical enough to be viewed as higher or important.

That vanity fascinates me, and with collage I’m able to deconstruct that cold perfection and fill it with some sort of soul again. It becomes imperfect, it distorts, mutates, and flows into something else. The choosing of the images consumes more time than the process at times. The main image is usually a large portrait or body shot of some kind, and from there I will start cutting, and a new form will emerge from there. The landscapes, animals, and other bodies that become intertwined with the main form often stem from the emotional state I’m in, recent personal events, and whatever music I’m currently listening to. In that way they are very personal, with meaning/theme lingering between a nonlinear diary and some fictive aesthetic that’s constantly developing. The personal aspects within the work aren’t a focal point or something I’m interested in documenting, I feel as though it’s just an organic product of the act of creating. My soul is bleeding out of my fingertips so to speak.

A.V: Additionally, choosing found images is much different than using photographs you composed. What do you look for when choosing images to use for your collages? Are some images chosen purposefully with a greater message in mind? – or am I thinking a little too much outside the ballpark here?

J.S: Art isn’t a secondary, it’s become intertwined with my day to day living. Between my personal documentation of events and others through Polaroid Instant Film, and collage as an outlet to explore the beauty of the body I have an endless supply of material and product to constantly fold onto itself for new outcomes. As to the formal qualities that I’ve developed, I do enjoy my lsd and mushrooms a few times a year, and I believe that it has had a significant impact on how I weave forms together with collage, and feel nostalgia. Seeing the world disassemble spiritually, emotionally, and physically into an amalgam folded onto itself, then witnessing it’s reassemble has made a definitive mark on my hand.

Collage allows me to so the same, take many instances and make many a whole, that whole doesn’t necessarily have a great mission, but can exist as a cluster of things, places, and times to be viewed in a singular instance. I just want to make beautiful things for people to see oh, and the song “Dawn Chorus” by Boards of Canada will explain my work really well in musical terms, give it a listen, it’s one of my biggest inspirations, and embodies the spirit my product and who I am/what I’m trying to do pretty well.

I’m searching for a beauty and nostalgia in essence, with a sexiness and prominence that is subtle, warm, human, and non-definite.

-Ashley Lanèe Voss

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Tuesday Weight Lift

A few words w/ Sean Anonymous

DJ Snuggles & Sean Anonymous released their new music video ‘Weight’ this past Friday!

Naturally, The ASH. snagged the first interview.
#playit


Before we get dirty, let me throw some credits atcha:

DJ Snuggles – Weight (Feat. Sean Anonymous)
From DJ Snuggles’ E.P. “That Beat”
Beat By: Big Cats
Director: Dave Wilson (Freeweather Films)
DP: Ryan Thompson


A.V:  For starters, how did the video inspiration/theme come to be? Visually, it’s a neat video – I mean…you have me scratching my brain trying to resolve how the bike was able to free ride around the neighborhood + then some.

S.A: The whole song is about wanting more than you have/need. I thought a perfect example of this would be a fantasy music video theme… A lot of folks have what they need to get by, but we’re constantly told that we could have more. (Whether it’s from music videos, magazines, advertisements, etc…)

There were certain lines in the song that re confirmed we should do the fantasy video thing. “These honest dreams flash on a screen” + “we want these things, but we might just grow to need it”

As far as the bike riding by itself… I think we might leave that one up to the viewers imaginations as well.

A.V: Damn…looks like I’ll be scratching my head all afternoon. May I ask if there’s any symbolism in the bike? I envision it symbolizing the future, yet we are still referencing the past – since the camera is focused on the bike from the front…showing us where the bike has been, not where it plans to go.

S.A: Not sure if there is any symbolism in using the bike… But if you happen to find some in there, then yup, the bike is hella symbolic…. One of the beautiful things about making art is seeing how others interpret it. The bike was mainly Dave Wilson’s (the director) idea. And I love how it turned out. I could draw conclusions on what the bike represents, but I’d rather hear what everyone else thinks about it.

A.V: To circle back to the ‘weighty’ message of the madness, do you have any advice for others/readers/listeners on how to escape the mindset of constantly wanting more? – this mindset?

S.A: There’s nothing wrong with wanting more than you have. That’s one of the driving forces that keeps people going. (Especially me). I want to be happy in life, but I’d never want to be content, because if you’re 100% cool with everything going on in your life, what would inspire you to be a better person?

The problem is when people are striving for the wrong things, or even the right things, but for wrong reasons. There’s no problem with wanting a little bit, but when it gets to be excessive, that’s when the problems start.

Word.
-Ashley Lanèe Voss

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Radar: Ryan Segedi

Ryan Segedi, originally from Ohio, is an emerging photographer who graduated from Savannah College of Art and Design last year. While traveling the country throughout his life and studying abroad in Hong Kong, he was able to expand his knowledge of various cultures. This remains apparent in his work, yet Segedi stayed true to his origins; he has a whole collection of photographs dedicated to Midwestern landscape!

Segedi utilizes geometric shapes and patterns from fashion in his editorial images. His work is very precise in terms of focus and pose. Color coordination is a factor in the editorial shots, which adds to this artist’s professionalism.

From interiors, to exteriors, to open fields and water, Segedi captures the true beauty of the Midwest in his Onward From the Midwest series. These photographs are of everyday scenes, which are perhaps usually overlooked on a daily basis. However, Ryan’s use of fragmenting, light, and angles makes us viewers realize what we surpass each day. Next time you are walking down the street, look and see what beauty is around you!

-Amanda Masini

Izzy

Girl Crush: Izzy Commers

Okay, I understand I either jumped the gun or missed the boat with my ‘#WCW’ (aka women crush Wednesday) post – but does one necessarily have to fit their admiration to hump day?

-apparently I think not!

Interview w/ photographer, Izzy Commers

A.V:  At the age of 16, and oh-so-talented,  when would you say you began photography – and what attracted you to the art form?

I.C:  Awh thank you! When I was 14 I saved-up and bought my first DSLR, but I’ve been taking photos for as long as I can remember! I’m still trying to figure out what strongly drew me to photography… It’s never really been a way for me to channel my personal emotions  (as it is for many artists). It was more of a way to capture and remember a moment in time. I want the viewer to understand and relate to the moment for themselves.

A.V: It’s lovely you’re in a larger city; I envy you a tad. Have you always lived in Minneapolis? I bet you have many subjects and are always finding new possibilities with all the hustle + bustle of the city. Are you mostly interested in taking pictures of people? – I find that to be your most common subject matter.

I.C: It’s funny that you say that haha, I always think of Minneapolis as such a small city! There’s always new people to meet and new places to explore here, which are two of my favorite opportunities that come along with being a photographer. People and places are often what inspire me, so that is why people are usually my subject matter. I hope to travel more in the future to explore completely new places as well!

A.V: Oh exactly! Carpe diem to the max! Have you ever had your photography exhibited in a gallery/similar venue?

I.C: I’ve never had my work in any sort of gallery or art show, but I hope to someday!

A.V:  …to which I find surprising! However, I know good vibes are continuously hugging you! To add onto that thought, what are your overall creative aspirations (a very vague/broad question – take this and run however you choose! haha)

I.C: The question of all questions.. haha… This is something I struggle a lot with to figure out. To be general, my ideal future with photography would involve something that allowed me to travel and meet new people. That was a large part of the thinking behind ‘The Artist Collective’ portion of my site actually (a way to showcase various types of artists/tell their stories/and hopefully spread their work). I’m super excited to get it up and runnin’- I truly just love being able to document my life, the people in it, and all of the adventures along the way!

-Ashley Lanèe Voss
Not fully satisfied? Check-out more of Izzy’s photography!

Online platform highlighting Midwestern alternative culture and contemporary talent.

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